"Final Broadcast is a 3 piece band from Denton Texas. Singer/guitarist-Ian Messerli, bassist-Tony Bustamante and drummer-Bill Kensik, formed the band to share their love of writing, recording and performing. Ian had spent years toiling away by himself, writing and recording countless songs but missing out on the volley of ideas that comes from working with other musicians. He dabbled in every genre of music trying to find a style that represented who he was as a songwriter. Finding someone who understood where he was coming from was challenging until he found a kindred spirit in Bill Kensik. The band itself started with a chance meeting between Bill and Ian through mutual friend and original bassist Keith Faulkner. The creative chemistry shared by the two of them fueled a great combination of rhythm and melody that sparked a true musical bond. Bill's mix of power and intricacy behind the drum kit brought an urgency and strength to the songs Ian had been developing. Although started in 2018, the band didn't really take shape until the addition of Tony Bustamante. Tony and Ian spent years touring and performing as founding members of the Dallas Pop Rock band Valve, and the opportunity to work together again proved to be effortless and fruitful. His addition brought a rich and stylized sound that truly fleshed out what Final Broadcast has become. Drawing from influences ranging from 90's Alternative, Shoegaze, Brit Pop, Classic Rock and even some Electronica, the sound that they have cultivated is both new, and reminiscent of the sounds of the past. With brute force drumming, the punishing growl of the bass, a swirling buzzsaw of guitars, and melody filled vocals, there is a wall of sound coming from this trio."

35 years after the accident at the Chernobyl nuclear power plant, a group of young guys are trying to re-interpretate this place of the tragedy through art. The dream of our main character – Igor – is to create a rave in Chernobyl. That would help become the exclusion zone into an accessible platform, and not a heavy Soviet legacy. In the process of creating a rave, the system of black business, corruption and hypocrisy of the authorities is revealed. Igor’s path proves that change is inevitable: a dialogue between old paradigms and ideas of a new generation must happen.

In 1958, a young trans woman named Agnes entered a study about sex disorders at UCLA to get the gender-affirming care she needed, by any means necessary. Her story was long considered to be exceptional until never-before-seen case files of other patients were found in 2017. Directed by Chase Joynt (NO ORDINARY MAN) and featuring an all-star cast of transgender artists and performers, FRAMING AGNES uses re-enactment and genre-blurring storytelling techniques to breathe new life into previously unknown people who redefined gender in the midcentury.

It is undeniable that we live in uncertain and troubled times, a period of which this pandemic we’re struggling through is but the latest and perhaps most evident aspect. Life is increasingly complicated and burdens seem to get harder and harder to carry with each passing year, so the need to seek solace and to take refuge in things that you know you can count on becomes more and more urgent. Well, dear friend, put down those burdens for a little while, because Monolord have got your back. Ever since 2013, when the dormant power of the Monolord became too much for a simple boogie rock band called Marulk – featuring a certain Thomas V Jäger and Esben Willems respectively on guitars/vocals and drums already – to contain, that this Swedish trio’s almost endearingly relentless dedication to The Riff has been something you can count on, almost as sure as the sun that rises every morning above your head. Thomas and Esben joined bassist Mika Häkki, and ever since then they have been compelled by the power of the riff, with no time for any frills like line-up changes or inane experimentations just for the sake of it. Theirs is a higher calling, a purer statement of intentions. After all, their bandname is “a paraphrase of an unspeakable name of an unspeakable entity that not even we dare to mention,” as Esben explains. And if you don’t like that description, Thomas has another suggestion: “make one up, and it is true!"