"“Nobody has riffs anymore,” says founding member/vocalist/guitarist Jacob Duarte when asked about his approach on 12th House Rock, Narrow Head’s highly anticipated LP for Run for Cover due on August 28. “That’s the kind of band we are and to me, that’s just how you write songs. Drums, bass, guitar, vocals. Nothing else. There are no other instruments on the record.” The Houston-based band’s latest entry is the distillation of the greatest moments in 90’s alternative and hard rock with a fresh set of ears, thirteen tracks of their signature brand of bludgeoning lullabies bursting at the seams with creative ideas, new directions and yes, massive, monolithic riffs. In between the sparkle and smash, open-hearted and emotionally naked songwriting showcases a core piece of the band’s identity– showcasing 12th House Rock as one of the best releases of 2020. “It’s the definitive work of Narrow Head,” proudly explains bassist Ryan Chavez. “Recorded in a studio over a month’s span, the way they used to do it. Not just for the sake of making it that way, but because it was the right way for us.” Delving into deep-seated themes of self loathing, desolation, self-medication, the loss of loved ones and hopeful redemption,12th House Rock is, as the title suggests, a rock-focused LP themed on transition– exploring the vast abyss of darkness just before the sun cracks upon the horizon. “A lot of the record was made in the late hours and early morning,” recalls Duarte. ”Those quiet moments alone when utter silence and my self-medication made it impossible to escape from my own thoughts. It was also from a specific time when I didn’t take care of myself and made bad decisions in all aspects of my life. These songs were a way out, temporarily anyway.”"

“Rising from the inferno of heartbreak with a determination towards gentility, humility, graciousness, and kindness, Rosegarden Funeral Party takes influence from life’s tragedies and spins chaos into beauty. Leah Lane fronts the band with a voice like that of the lovechild between Morrissey and Siouxsie Sioux and her guitar playing has been compared to that of Daniel Ash. with bass playing that takes obvious inspiration from Peter Hook. With synths trapped in the loving arms of the 1980’s, rhythmic percussion and drums inspired by dark dance floors, Rosegarden Funeral Party prove to be the second-coming of traditional goth.”

In 1974 the Dolores Cyclone flooded the town of Charco Redondo and its inhabitants were forced to go into exile and found a new community. Four decades later, the Salinas Tello, an afromestizo family, lets us enter their privacy, while preparing the town's patronal celebration. Through them, we learn about their daily lives. THEY MADE US THE NIGHT draws a sketch about their identity, marked by tonales, devils and cyclones.

Commissioned by the LA Jazz Society, Jonah Levine embarks on a journey of creativity as he writes and composes a jazz suite representing Los Angeles with his collective of diverse musicians. Working together, the Jonah Levine Collective collaborates and rehearses his musical compositions days prior to their final performance at the Moss Theater.